Houston parks score poorly in national study

hermann_park_2825-tom_fox__680x400-680x400The city of Houston has a lot going for it. A solid economy, high praise for its diversity, a low cost of living all combine to make it a highly desirable destination. But when it comes to our parks, well that appears to be a different story all together.

The Trust for Public Land’s ParkScore®  recently released its 2017 index to measure how well the 100 largest U.S. cities are meeting the need for parks. Houston comes in tied at 81 (Newark and Wichita were also ranked 81st).

The index utilizes mapping technology along with demographic data to determine how well cities are meeting the need for parks. It takes in factors such as percent of park land in a city, the spending per capita and even the number of basketball hoops and dog parks per 100,000 residents.

Each city can earn a maximum score of 120 points . (Houston scored 39). Points were awarded for eight statistical measures in three categories: acreage, facilities and investments and access. The total is than normalized to a scale out of 100. This final value is the city’s ParkScore. Minneapolis came in at number one with a score of 87.5.

Houston’s ranking was heavily impacted by its investment grade­, earning a 2 out of a possible 20 points on what the city spends on its parks. Back in 2012, ParkScore reported the Bayou City spent $43 per resident on its parks. Today that amount is $35 (Minneapolis spends $233 per resident).

ParkScore

The map indicates where ParkScore feels there are park gaps. Park gaps are based on a dynamic 1/2 mile service area (10 minute walking distance) for all parks. In this analysis, service areas use the street network to determine walkable distance – streets such as highways, freeways, and interstates are considered barriers.

The art of optics

Op.tics

Noun

  1. the way in which an event or course of action is perceived by the public.

imagesOptics have always played a major role in politics. The way something is seen can be just as, if not more important, than what it’s trying to accomplish. Politicians work feverishly to make sure they are put in the best light, so it’s a little strange to see someone buck that trend.

President Trump is a person who has always done things his way. From The Art of a Deal to the Trump “brand’; it has always been his way or the highway. This week, Trump meet with the Russian ambassador one day after firing F.B.I. Director James Comey for either being mean to Hillary, or for continuing to look at connections between the Trump campaign and Russia (I report, you decide).

This is not about why Trump dumped Comey, but about the optics of meeting with the Russians the next day. Trump explained to NBC’s Lester Holt that he “never thought about the optics” of welcoming Russian Foreign Minister Sergey Lavrov to the White House the day after he fired Comey.

“It was set up a while ago, and frankly, I could have waited but what difference does it make? I’m not looking for cosmetics. I’m looking to do a great job for the country,” said Trump.

Now some people will find that honesty refreshing. Maybe if we worried less about how the public might react to something and focus more on the job at hand, we would be better off.

Trump’s problem is that his so-called negative optics are as plentiful as opinions and are causing people to question his ability to lead and trustworthiness. Conflicting information, dismissing high level staffers like Mike Flynn and James Comey; and an ever changing narrative from his spokespersons erode the level of confidence and willingness (if you can find one democrat) to work with him.

During the campaign, the word unconventional was used ad nauseam to describe his campaign. I’m surprised we don’t hear that word more to describe his presidency.

26 seconds of infamy

920x920Alexandra Zapruder, granddaughter of Abraham Zapruder, is coming to Houston this week to discuss her book “From Camera Lens to Conspiracies: What Zapruder Saw Then to What the World Sees Now.”

While the “Zapruder Film” has been discussed and dissected ad nauseam, reading about the book’s premise reminded me how much the world has changed in regards to how news is covered. Just imagine for a moment if the JFK assassination occurred today. There would hundreds of spectators with smart phones taking photos, shooting videos, steaming live to Facebook, all to be posted on social media.

Back in 1963, Zapruder protected his film by entrusting it to the U.S. Secret Service. He later sold the rights to Life magazine whose editors carefully protected their investment. Eventually, the images were stolen and used by several famous and not so famous media outlets.

Today, television stations routinely encourage viewers to record breaking news when they see it (one station even reminds viewers to turn the phone sideways before you start recording). Now we get to enjoy watching passengers being dragged down the aisle of a United Airline jet to “voluntarily” give up their seat, or road rage fights.

It appears from the excerpts of the book, Zapruder was very calculating when it came to what should be done with his infamous 26 second film. The frames are horrific and capture a dark day in our nation’s past. One can see this was not an easy decision for him to make.

Does the public have the right to see it? Is forcing the Kennedy family live with those images forever fair to them? Did we learn anything more about the assassination by seeing the film then before?

Much has indeed changed in the last 54 years.

Jazz and heritage merge into one gigantic party

Ray Abshire Cajun Band performing on the Fais Do-Do stage

Ray Abshire Cajun Band performing on the Fais Do-Do Stage

Like to hear great live music, munch on tasty treats and enjoy some epic people watching? Then you need to get to the New Orleans Jazz and Heritage Festival.

I have heard about this festival for years, but can honestly say I had no idea how enormous this event was. This year’s festival featured Stevie Wonder, Tom Petty & The Heartbreakers, Maroon 5, Dave Matthews and Tim Reynolds, Harry Connick Jr., Snoop Dog and many, many more (click here to see the complete list).

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Lost Bayou Ramblers performing on the Gentilly Stage

So how does Jazz Fest pack so many acts together? Believe it or not, they have 3 very large stages (Acura Stage, Gentilly Stage and Congo Square Stage) that have bands perform at the same time. The day I attended, I had to choose between Maroon 5, Alabama Shakes and Usher. Oh yeah, there are also 8 other acts on smaller stages including the Jazz Tent, the Gospel Tent and the marvelous Blues Tent where you can hear a wide variety of interpretations on this truly Americana genre of music.

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Actual photo of Adam Levine’s brain hurting

The area is so crammed with music that Adam Levin (Maroon 5 frontman) quipped “we’ll have to reconfigure our set so we’re not doing the acoustic part while the Blues Tent is shredding” (Jonny Lang was performing). “It’s literally making my brain hurt,” said Levine.

You would think Jazz Fest is all about the music, but there is lots more to take in, mainly the food. The food list is as impressive as the music line-up and features your typical Creole/Cajun servings of jambalaya, po-boys, muffuletta sandwiches, boiled crawfish, shrimp and grits, red beans and rice, boudin balls, plus many other tasty treats.

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               Yummy Crawfish Bread!

You can’t go wrong with any of it, but locals head straight for the Crawfish Bread stand. This decadent collection of warm bread with melted cheese and crawfish will have you asking ‘where have you been all of my life’. My suggestion is to get there early and eat one as soon as you can, then head over later in the day to chow down on some Crawfish Monica which consists of a bowl of totini pasta with bits of crawfish and enough cream and butter to clog even the most healthy of arteries.

IMG_1192Looking for something sweet? You’ll find plenty of Sno-Ball stands, praline stuffed beignets and the infamous Roman Chewing Candy Company. Another pleasant surprise is what the festival charges for the food and drink. Water was $3 a bottle, the Crawfish Bread was $7 and beers (you knew they had to have alcohol there right?) started around $8.

After spending nine hours of listening to awesome live music, pounding down great food and hanging around with festival attendees that are as varied as the music and food, all I can say is “Laissez le bon Temps Rouler”!

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Can you spot us?

Can you spot us?